London privately printed at the Curwen Press 1962

no 219 of 600 copies printed. Illustrations by Adrian Daintrey, two in colour. Marbled boards. Very good indeed. In 1963, 44 Berkeley Square opened as The Clermont Club with Annabel's nightclub in the basement. It operated until 2018. It was the destination of of royalty, fashion icons, recording stars and Hollywood greats alike. The booklet is a history of the house which, when first built, was ''the most aristocratic address in mid-Georgian London'' and designed by William Kent. The publication was probably produced in association with the acquisition of the building for the Clermont Club in 1962 by John Aspinall.

Walter F Foster nd c1950

40pp illustrated with 4 monotone and many b/w plates. Folio. Stapled. Striking colour wrappers. USA graphic designer ending up eventually with his own Hollywood advertising agency moving on to Laguna Beach where he specialised in design and illustration.

Wetherby Oblong Creative 2013

370pp illustrated with colour plates. Decorated wrappers. Uniform with Arts and Crafts of the North West and Arts and Crafts of the North East. A fabulous gazetteer with scholarly notes on the arts, crafts, decorative metalwork and stained glass across the Region. A wonderful book which draws widely on the authors' knowledge and experience.

London Yale University Press 2015

336pp illustrated with sumptuous colour plates throughout. 4to. New, dust wrapper. Based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. Much on key individual designers and the role of Christopher Whall in the period in drawing attention to glass and teaching techniques. This is a democratic art in so far as both men and women were active in the craft at the time.

A collection of 65 bookplates made for friends or as commissioned projects. The influence of the black-and-white style of his early- twentieth century heroes F. L. Griggs, William Nicholson, and Frank Brangwyn are evident in these but also Edward Gorey perhaps. Gavin Stamp had a significant collection of Gorey books right beside his books on lettering and book design and bookplates design on his shelves. The collection is a fascinating social document in which bookplates appear for, amongst others David Watkin, Colin Emery, Michael Burgess, Lawrence Yap and many others associated with Cambridge.

London Conran, 5 Avon Trading Estate, Avonmore Road 1973

40pp illustrated with colour plates. 4to. Decorated wrappers, these a little worn. Loosely inserted 18pp typeset price list for December 1973 listing all the products, dimensions and stock numbers.

London Liberty and Co 1903

Series LX11 12pp illustrated with bw plates. Long 8vo. Stapled. Brown lettered wrappers. Very good. Individual Chinese jars, weapons and ornaments, some antique, offered by the firm. Very good copy. Good source for individual pieces. Chinese Pottery Mark representing "good luck" on the inside of the front wrapper.

London Liberty and Co 1903

Series LVX 10pp illustrated with b/w plates. Long 8vo. Stapled. Brown lettered wrappers. Very good. Antique items for sale, each with number and with provenance. They included Chinese vases, a Queen Anne Bureau from the Speakers House following a fire at the Houses of Parliament and a variety of individual Chinese trophies and ornaments. Very good indeed. Chinese Pottery Mark representing "good luck" on the inside wrapper.

London Studio Vista 1971

208pp colour + b/w ills. Small 4to purple cloth with illustrated dw. Wrapper a little chipped at the top edge else a very good copy. Ex libris Gavin Stamp, with his bookplate on the front paste down.

London Hamish Hamilton 1984

137pp. Good with good dust wrapper. Signed in purple crayon on front end paper by Eduardo Paolozzi. Loosely inserted letter from Penny Thomson [ Avonbridge Film Production Company Ltd.] to Robin Spencer. Single sided typed letter on headed paper, signed in pen by Penny. Text reads "Eduardo insisted on lendin me his copy of Theroux's Dr Slaughter during the Festival and the was that I would pass it on to you once I was finished with it....". The letter contineus to discuss other matters relating to Russell Harty's Arts Reciew Programme.

Reprinted fro Nature Vol 201 no 4926 1964

Pamphlet 18pp. Wrappers. Staples slightly rusty. Loosely inserted autographed letter, signed from Misha Black to W G Holt, Wolverhapton, on RCA headed paper and dated 1970. Misha Black notes in the letter that the pamphlet gives the "gist of the argument" of what should form an industrial design education.

The Author, 1820

8 original etchings. Small 4to. Green morocco, gilt lettering. Sewn. Bookplate of the Library of the Yorkshire Architectural Society on the front paste down. From the collection of George Pace. [Pencil note to this effect]. Worn along spine edge and all edges rubbed. Stitching largely lost. Uncommon. Uncoloured etchings from original drawings by Fowler of figures in the glass together with one of the Tomb of Barwick of Selby. Yorkshire Archaeological Journal 5 (1877–78): 331–49.

Darwen Evertaut Ltd. 1966

62pp illustrated wth b/w and colour plates, line ills and with tables providing pricing details. Long 4to. Spiral bound. Colour photographic wraps showing range of furniture designed for the firm with the photograph taken at Birmingham Municipal Airport. Catalogue of office furniture comprising seating, wood and steel desks and related equipment. Includes price lists for purchase as well as details of leasing arrangements. Catalogue design by Elliott Advertising Ltd.

London published by the Company from Mortimer Street. nd c1930

22pp with 17 b/w photographs of fireplaces. Wraps, vg, with colour paste down label showing fireplace. Illustrations include views of workshops and Showroom. Correspondence loosely inserted addressed to H M Gimson RIBA from the director together with three loosely inserted leaflets for Portculis Gas Fires which all have 1934 dates in pencil on them. Humphrey Gimson was the nephew of Ernest Gimson.

London Fanfare Press 1929

Colour frontis, 64pp, 42 b/w photographic illustrations. 4to. Contrasting boards and spine with gilt lettering and decoration on upper board. Small chip in spine else good Architects noted where there are room settings with fireplaces. The book was written at a time when there was an increase in domestic usage of gas fires to replace coal fires in modern homes.

Edinburgh, HMSO 1947

79pp with 95 b/w illustrations. 8vo pamphlet in wrappers, lightly worn at spine, else vg. Guide to the principles of industrial and commercial design, explaining their importance to manufacturers. Well illustrated with examples of products from electrical appliances to furniture, fabrics, packaging and their display. With case studies outlining the processes of design, including 'the employment of designers by Josiah Wedgwood Ltd.'.

London, Country Life 1964

207pp illustrated with 248 b/w plates. 4to. Orange cloth. Very good with slightly worn dust wrapper. One of those beautifully produced Country Life titles. Super illustrations supported by scholarly but readable texts.

Yale University Press 2009

356pp with 300 colour illus throughout. Large 4to in cloth with decorated colour dw. New. A timely and groundbreaking study of the history and reception of Walpole's collection at Strawberry Hill which coincides with a planned restoration of this endangered house. With contributions from an international team of distinguished scholars who explore how Strawberry Hill and its collections engaged with the creation of various and interconnected political, national, dynastic, cultural, and imagined histories.

London The British Colour Council in Collaboration with the Royal Horticultural Society. 1938

Each volume with a staple-bound booklet and 100 loose colour sheets, in folding hardcover case, in slipcase. The colours consist of a spectrum range of 64 full hues, 26 (lighter) tints and 10 (darker) shades of the 64 full hues. Loosely inserted in volume one is a sheet of black card with central square cut out to allow each colour to be isolated by the viewer. The charts are known also as the Wilson Colour Charts.