New York, Aperture, in association with Philadelphia Museum of Art c1993<br/><br/> 79pp, b/w photographs throughout, 8vo, pbk. Very good indeed. ISBN 0893815594. This is the first major publication in English on this influential German photographer, who is one of the founders of modern European photography.

London Thames and Hudson 2010<br/><br/> 158 + (2)pp Illustrated with full b/w single sided photographs. First paperback edition. Small 4to. Fine. A selection of Cartier-Bresson's memorable portraits, including diverse subjects including as Pablo Picasso, Carl Jung, Marilyn Monroe, Truman Capote, Lucian Freud, Susan Sontag, Coco Chanel, Jean-Paul Sartre, and Che Guevara.

London: Johnathan Cape 1992<br/><br/> 167pp with many colour photos throughout. Long 4to in cloth with bright dw. Vg indeed. Published to coincide with an exhibition in the Barbican Art Gallery in London, this beautifully produced text, complete with remarks by the artist and a foreword by Mark Holborn, is the first collection of Eggleston's work in sequence from the beginning of his career.

Paris, Arthaud 1954<br/><br/> First edition, first printing. 4to. With dust wrapper and yellow band wrap around. 128 pages. 96 photos. Text/Introduction: Pierre Mac Orlan. Layout: Roger Excoffon. Text in French. Superb photogravure plates. Head and base of spine slightly rubbed else a very good copy. Contemporary with Cartier Bresson, Kertesz etc Ronis was,during the 40s and 50s, importatns in documenting social life, especially the working people of Paris.

London Condé Nast Publications, 1969<br/><br/> 2240pp illustrated with b/w plates. Large 4to. Very good in slightly worn dust wrapper. Features many famous people of the time including John Lennon, Paul McCartney, The Rolling Stones, Brigitte Bardot, David Hockney, Keith Richard, Peter Sellers, Jean Shrimpton, Barbra Streisand, Andy Warhol, Franco Zeffirelli and many, many more . Cult book of its day and revealing the key figures of the "Swinging Sixties".

London Thames and Hudson 2009<br/><br/> 272pp illustrated with b/w photographs. Like new. Fine with dust wrapper. Spurred on by the collapse of the World Trade Center, New York, Abbas began an exploration of Islamic culture illustrated in this massive and wide ranging survey.

Aperture/ Philadelphia Museum of Art 1985<br/><br/> First edition. 240pp, b/w illus throughout. Large 4to. Fine in similar dust wrapper. Compendious and richly illustrated biography of this influential photojournalist. Published to accompany a major retrospective touring exhibition. Unread.

Phaidon 2007<br/><br/> (1) colour frontispiece + 13pp + 55 colour/ b/w plates with captions. Small 4to boards with illustrated dust wrapper. Very good copy. Chronological overview of Parr's work, spanning from 1972- 2006. Text by Sandra S. Phillips, Senior Curator of Photography at the San Francisco Museum of Modern Art.

London Four Corners Books 2012<br/><br/> Colour photographs and ills throughout, and some b/w reproductions of letters. Decorated firm card covers. Small 4to. Vg. Collection of over 100 images of the little-known genre of painting and portraiture, of prison inmates representing themselves in front of visiting room backdrops. Inspired by the author's visit to her brother in prison in her youth.

New York Aperture Foundation 2004<br/><br/> [126] with 77 large colour photographs. Long 4to in decorated boards. New title. An artistic, unflinching documentation of the challenge facing Afganistan's refugees as they return to their country and begin to rebuild. Parallel English/French text.

London Phaidon 2002<br/><br/> First edition. Colour plates throughout. Long 4to. Fine in dust wrapper. Signed by the author and dated Dublin 2011. Beautifully produced photographic study of this important archaeological and World Heritage Site. A less harrowing perspective of the world than is usually portrayed in McCurry's images. Signed on the verso of front end paper.

London, Lund Humphries 1994<br/><br/> 108pp with many colour and b/w illustrations. Small oblong 4to in stiff card wraps, vg indeed. the results of projects carried out simultaneously in England and France in reaction to the opening of the Channel Tunnel. A fascinating record of a 'borderland' at the end of the twentieth century. With contributions by Kenneth Baird, Simone Cannetty-Clarke, Huw Davies, Anna Fox, Julian Germain, Malcolm Glover, Peter Kennard, Karen Knorr, Patrick Sutherland, Paul Trevor and Janine Weidel, plus an introduction by Neal Ascherson.

New York Steidl: International Center for Photography 2008<br/><br/> 356pp illustrate with b/w and colour plates. Fine. Challenging images supported by essays by Lucy Lippard, David Levi Strauss, Allan Sekula and others.

nd c<br/><br/> 11 undated contact prints each 150x200mm /6 x 8 inches recording Sulom Voe. [The an inlet between North Mainland and Northmavine on Shetland in Scotland] He was a gifted illustrator and photographer and became head of illustration at Staffordshire (North Staffs Polytechnic). These photographs were probably taken in the late 1960s or early 1970. He was a protégé of Bruce Bernard at the Sunday Times, but worked for numerous other London magazines during the 1960s and 70s. Each stamped on verso with copyright of Design Council and with Eric Lockrane's name on verso of each. The images combine landscape views of the area and close ups showing the detritus of the area.

London Phaidon <br/><br/> 432pp illustrated 4to Fine in dust wrapper. Like new. A collection of poignant and often controversial stories photographed and written by acclaimed social documentary photographer Eugene Richards. He became a member of Magnum Photos in 1978, but left in 1994 to work independently. His style has set the standard and the trend for leading photojournalists such as James Nachtwey and Gilles Peress. His earlier career as social worker has influenced his subject matter.

London, The Architectural Press 1980 (1977)<br/><br/> 258pp with 200 b/w plates. Very good in dust wrapper. Collection of stunning photographs of interiors taken by the architectural photographer Bedford Lemere (1864-1944) working on commission for the affluent middle classes. Focusing on the period 1890-1914, and depicting many houses no longer extant, the plates are accompanied by introductory material and detailed annotations by Cooper. A remarkable insight into fashionable interiors of the period.

Arthur Dearden <br/><br/> Mounted on stiff card, four original photographs with impress of the photographer beneath the photographs and address. Arthur Dearman of 46 Church Street Blackpool. images 180x230mm 7 x 9 inches, mounts are 310x 230mm. [12 x10 inches] The images reveal the cluttered end of the 19th century look of a guest house. Long dining tables fill the main room with bentwood and other dining chairs in brown furniture style and there are images of the key living rooms including a large sitting room packed with pictures, rugs and cushions etc. Deardon evidently had a photography business also taking cabinet photographs and portraits.

<br/><br/> Image I Sepia photograph 190x250mm landscape, illustrating the works entrance when John Garret was sole owner and is therefore before 1877 when he went into partnership with George Haysom. Image 2 sepia 250x290 portrait illustrating the entrance to the works with the offices reconstructed in Edwardian style. Image undated c1910. Two fine documentary photographs the earlier of the two slightly faded. Second photograph removed from an album with other Southampton buildings on verso (unidentified). The firm created amongst other works the monument to the Pilgrim Fathers at Town Quay and the memorial fountain to the Titanic Crew Members in Holy Road.