Wakefield The Fleece Press 1982

[112]pp. b/w wood engravings. 4to. Quarter buckram with gilt decoration and title, marbled paper covers and green slipcase. Limited edition, standard copy, no. 209 of 350. Exquisite collection of illustrations made from original wood engragvings, created as a second volume following 'S.T.E. Lawrence: Boxwood Blockmaker', printing work of artists missed out from the first book. With an introduction by John Lawrence. Fine.

Otley, Smith Settle, 1994

78 pp, quarto in good condition. Extensive black and white illustrations and photographs. A catalogue of the work these three well known Yorkshire based women who illustrated and wrote a series of books featuring the Yorkshire countryside and landscape. This is a lovely appreciation of three remarkable women artists.

London, Barbican /Corvina 1989

197pp. With bw and colour illustrations. 4to. Cloth with gilt lettering on front and spine. Bright dw a little crockled at back. A collection of illustrated essays to accompany an exhibition organised by the Barbican Art Gallery. Loosely inserted exhibition guide. Excellent source documenting the output of the art colonies in and around Budapest at the turn of the century.

London, Enitharmon Press, 1974

Half title, frontis, title page [2] + 17 b/w plates with facing commentary, each separately numbered. Colophon with limitation noted. 4to marbled boards, cloth spine, very good condition with slightly worn dustjacket. Trevelyan gave Raine a series of drawings he had done towards the end of the second world war. Thirty years later she provided a commentary alongside them. The drawings, reflect the privations of the war and anxieties about the new world after by an important English surrealist artist.

London Lund Humphries 1951

28pp. 60 plates including five in colour. Folio. Open weave cloth. Small stain on upper board else good copy. One of Leach's key texts.

Risbury Whittington Press 2005

number 68 of 280 copies from an edition of 350. [vi] + 50pp. Printed on Bugra-Bütten mould made tan paper, frontis and 31 b/w photographic plates including 1 double page spread. Folio. Original grey cloth with tan paper covered boards, with a patterned paper designed by Edwin Smith. Silver lettering on backstrip. A wonderful record of Smith's work in a book conceived alongside his collaborator and widow, Olive Cook. It captures the landscape and spirit of the Cotswolds perfectly.

London Architectural Association 1986

28pp booklet + 20 silkscreen prints which assembled form a print 1525x1120mm. Large square 4to in presentation black box with white title on front. Vg. Published to coincide with an exhibition of paintings and drawings by Andrew Holmes. Published as as edition of one thousand numbered 1/1000 this being number 146. Holmes has used this Folio to continue his explorations by creating twenty silkscreen fragments which when put together create dramatic 4 x 5 foot detail of Richard Rogers' hi-tech Inmos building.

Biddenden, Kent The Florin Press 1985

1 of 500 first edition copies of this publication. 48pp. 11 tipped in colour plates. Red cloth covered boards with gilt title on spine. Long octavo. Published to coincide with and complement the opening of the tour of the exhibition 'The Appreciation of Naum Gabo' in Dallas, September 1985. Fine.

London Conaghi & Co Limited 1971

71pp, b/w plates. Sugar paper wrappers printed with black titles. Small 4to. Signed in back pen by Eduardo Paolozzi on the front end paper.

London Royal College of Art, 1954

Unpaginated. Illustrated. Oblong 12mo. 180x240mm. Original card covers. These slightly dusty. Contains Illustrated essays on 'Three Young Contemporaries' by John Minton, Len Deighton 'Impressions of New York', Bernard Myers on tattoos, Herbert Spencer on 'Recent Developments in Typography', colour lithographs by Tony Puig, colour lithographs of Under Milk Wood by Roy Morgan, wo colour lithographs by Anthony Whishaw. Includes many period ads.

Landego, The Old Stile Press 2000

Preface by Nicholas McDowall. Unpaginated. [37]pp. Illustrated with wood engravings. Long 8vo. 200x270mm. Bound in decorated boards with glassine dust wrapper over. Decorated end papers. Type is Bulmer and the paper is 175gsm Zerkall mould made. Binding at the Fine Bindery. With loosely inserted additional signed print, number slipped in at the end dated 1999 "With the swans Cheltenham.". One of 100 copies. This is number 23, signed by the author.

Oxford Phaidon Christies 1990

192pp illustrated with colour and bw plates. 4to. Very good with very good dust wrapper.

London Architectural Association Box 4 2004

[14] pamphlet with introductory text and large colour images + 18 large colour plates. Large square 4to in presentation box with decorated colour title on front. Box is a little dusty with small nick on lower edge else very good copy. The 18 plates are each composed of nine Polaroid images that can be assembled in any arrangement to form a composite work, called Nine Times. The images on these plates were the most controversial of Holmes' work at the time of publication, in both form and content: unlikely combinations of fragments of contemporary living -- urban waste, trucks, flowers, animals and images culled from the TV screen.

London Institute of Contemporary Arts 1979

36 unpaginated pages numerous b/w illustrations with captions. Small 4to, staple bound illustrated wrappers. Small chip to the verso else a good copy. Well illustrated, contemporary catalogue of Dimitrijević's work, one of the pioneers of conceptual art.

Oxford Phaidon 1978

141pp.will illustrated. Cloth. 4to. Very good with good dust wrapper.

London ICA, Dover Street 1957

Introduction by Roland Penrose. Unpaginated 8pp including stiff card wrappers. 20 numbers listed. Printed on yellow paper internally, wrap around black and white illustrated wrappers by Caprogrossi. Exhibition in coloration with Carlo Cardazzo, Galleria del Naviglio, Milan and Galleria del Cavallino, Venice.

Christie Manson & Woods 1882

234pp illustrated with sepia photographs. Very good copy indeed in bright red cloth with gilt lettering. Collection of this famous sale. This version the extra illustrated version with original sepia photographs of many of the key items.

London, Ernest Brown & Phillips Ltd at the Leicester Galleries

December 1933 16pp 43 numbers by John and 60 by Henry Lamb.

Cambridge The Antique Collectors' Club 1987 (1935)

Volume I - Text and Coloured Plates: xlvii + 49 colour plates + 431pp. Volume II - Monochrome Plates: xv + 266pp. Blue cloth covered boards with gilt titles. Dustwrapper. Very good. Limited to 1000 copies. The Catalogue of the Glaisher Collection was originally published in 1935 and limited to just 350 copies of the 2 volume sets. Considered one of the great ceramic collections of the world, the Graisher collection was assembled by Dr J.W.L Glaisher and catalogued by Bernard Rackham, Keeper of Ceramics at the V&A and this printed catalogue remains a firm favourite amongst ceramics collectors and curators alike, worldwide.

The Sketch Society 195 Piccadilly 1912

61pp. 150mm. Paper covered boards with illustration on upper board. Advert for Newman artists materials on rear board. A little worn at all edge. Title page browned. Chairman of the Society was artist, James D Linton. List of members of the Society given at the end of the publication. There are 575 items listed and organized by artist. The Society ran between 1910-1913. It ran four exhibitions in total. These were held at the Royal Institute Galleries. The exhibitions were selling shows and the prices of each item is given in the catalogue. One copy listed on World Cat at the V&A.