New York (THE SOLOMAN R GUGGENHEIM FOUNDATION) 1981

92pp colour + b/w illustrations. Small 4to wrappers. Covers preserved in sticky back plastic by previous owner Nigel Whitely. Exhibition catalogue with an introduction by guest Curator Peter Frank. Frank was used for this third Exxon National Exhibition in order to avoid an institutional emphasis on this area of contemporary art. Frank was influenced by the approach of Dorothy C Miller and how she curated the exhibition 'Americans 1963 ' held at The Museum of Modern Art, New York. Documents a diverse range of emerging American artists from the period. Those featured are Michael Brakke, Guy de Cointet, Manny Farber, Vernon Fisher, Heidi Glück, Tom Green, William Haney, Patrick Hogan, Tom Holste, Barbara Kruger, Philip Larson, Jim Richard, Bill Richards, Darryl Sapien, Norie Sato, Gael Stack, John White, George Woodman, and Frank Young.

Wakefield The Fleece Press 1982

[112]pp. b/w wood engravings. 4to. Quarter buckram with gilt decoration and title, marbled paper covers and green slipcase. Limited edition, standard copy, no. 209 of 350. Exquisite collection of illustrations made from original wood engragvings, created as a second volume following 'S.T.E. Lawrence: Boxwood Blockmaker', printing work of artists missed out from the first book. With an introduction by John Lawrence. Fine.

London and New York George Routledge & Sons nd c1883

48pp Long 8vo. Contrasting cloth with title on upper board. Bookplate from "Yews" on front paste down. Colour and sepia lithographic prints. Lightly rubbed on spine and boards a little grubby else good copy. From the collection of James Morton (Sundour Fabrics). The sketchbook was made in 1870-75 depicting natural history subjects. The reproduced printed version of the sketch book was issued in c1883. Randolph Caldecott, born 1846, died in 1886 in Florida after he went there to find sunnier climes to counter his ill health where he was caught out by an exceptional cold snap.

London Arts Council 1968

177 numbers, 18 plates, one in colour. Two text illustrations. Long 8vo. Decorated sepia wrappers. Loosely inserted post card. Useful catalogue

New York The American Foundation for Aids Research 1990

xxx + 114 pp. colour + b/w illus with captions. Long 8vo, striking pink/orange decorated wrappers, preserved in sticky backed plastic by the previous owner. Catalogue of a sale of contemporary art held to benefit The American Foundation for Aids Research and a number of other organisations. Catalogue features work for sale from Robert Rauschenburg Robert Mapplethorepe, Roy Lichtenstein, Jasper Johns, Leon Golub + many more. Has a section listing participating artists and galleries in the public art project. Useful introduction. Hard to find.

Sydney, Power Insitute of Fine Arts 1968

12pp printed on high quality paper. Cream wrappers over printed with title. Wrappers a little browned else good copy.

London Thames and Hudson 1995

583pp over 500 illustrations, 420 in colour. 4to cloth boards with illustrated dust wrapper, minor bump at the top corner else very good indeed. Brilliantly illustrated account of Oldenburg and Van Bruggen's collaborative public sculpture projects

Netherton, Wakefield The Fleece Press

Limited edition of 300 copies (of which 250 were for sale). Quarter cloth and patterned paste paper boards, paper spine-label, large 8vo, 106, [1], blank leaf, [1] pp, illustrations, some tipped in, map in pocket at end. Fine copy in slipcase as issued.

Wakefield The Fleece Press 1991

67, [5]pp. Illustrated with tipped in b/w reproductions of letters and photographs. Narrow 8vo. Decorative paper covered boards and linen spine with paste down label. A limited (but unnumbered) edition of 220 copies printed by Simon Lawrence. Fitzwilliam curator Sydney Cockerell financed Hassell's first trip abroad in 1950, where she wrote almost a letter a day, telling him of her adventures in Florence, Venice, Paris and other destinations. These evocative and descriptive letters are reproduced in this beautiful Fleece Press book. fine.

London Edition Hansjorg Mayer 2002

319pp. Many b/w + colour illustrations with captions + CD-ROM that features a virtual tour of the Schimmel museum inserted in sleeve on lower board. 4to boards with illustrated wrappers. Slight shelf wear to the boards else very good indeed. With the collaboration of his friend Philipp Buse, Roth created and curated his own private museum, which at the time of his death in 1998 housed 550 original works, 1,400 prints, around 250 artist's books and all the multiples and specially designed editions he ever created. This book is a visually compelling study of Dieter Roth's 'Unique Pieces', referred to by him as 'Originale'. It charts the progression of Roth's 'Unique Pieces' from 1950 to 1998 and provides a complete catalogue of them all, accompanied by information supplied mainly by the artist. Dirk Dobke, Curator at the Dieter Roth Foundation, explores the artist's 25-year friendship and collaboration with Philipp Buse, as well as the history and development of the Museums.

New York Alternative Museum 1984

64pp, b/w plates in text. 4to. White lettered wrappers. Essays by Noam Chomsky and Edward S. Herman. The Alternative Museum New York was a not for profit organisation dedicated to a pluralist approach to the arts and cultural activities of New York City. Disinformation is defined by Rodriguez in his introduction as the production of half truths, bias etc to avoid the pertinent points. Mixed show of graphics mostly ilustrated.

Nottingham Openings Press 1971

48pp illustrated with colour lettered title page, b/w grainy photographs 4pp centre fold in colour with images by Tom Phillips. Small 4to. Decorated printed wrappers. Followed a similar group show held at Oxford in 1970 called "Dorothy" the relevance of the title was to attract attention to what otherwise might have been a difficult conceptual show to attract people to and so this approach appears to have been adopted here. The show travelled to Newcastle and Bristol. The catalogue is themed around the idea of Umbrellas. The work of a significant number of individual [student?] contributors as well as group pieces were put together for this show associated with the Nottingham Festival.

Minneapolis, Minnesota Walker Art Center 1999

304pp 325 colour and 75 bw plates. 4to. Fine in dust wrapper. Two-volume, full-colour, boxed catalogue raisonné that documents Ruscha's editioned work to date. It features essays by exhibition curator Siri Engberg and independent artist's-book curator-critic Clive Phillpot. This monumental book reveals the depths of Ruscha's printmaking process, and offers important insight into his unique aesthetic.

London, Newman Wolsey 1950

3 volumes, English Periodical. All published., b/w ill, 4to. Original cellulose acetate dw. No.1 May-June 1950, No.2 Sept-Oct 1950, No.3 Nov-Dec 1950. Dust wrapper slightly torn on Nos. 2 and 3. A complete run of the journal, very good indeed. Eidos takes the whole world of painting, sculpture and design, ancient and modern, eastern and western, for its province and would seek in principal to serve them all. Contributions on major contemporary artists including Hepworth, Nicholson et al. Cross cultural journal with articles in French and English. Includes contributions from Herbert Read, John Gloag and many others.

London/New York Macmillan Reference/Grove Dictionaries Ltd 2000

Vol 1 xxv + 931pp + (1) blank. Vol 2 (6) + pages 933-1881 + (1) blank, 4to. Both volumes with illustrated dust wrappers. Minor creases to the head of the spine else very good. over 750 illustrations. Part of the Grove Encyclopedias of European Art series.

London Methuen & Co. Ltd 1955

219 pp. 8vo. Vg. Cloth boards with dust wrapper illustration by John Minton. Novel describing story of a group of survivors trapped in a New York underground, after a catastrophe has sealed all the exits.

London George Rainbird Limited New York: Graphic Society and printed at the Curwen Press. 1958

Double page pictorial title page, unpaginated, [64pp], 57 pages of reproductions of Moore's sketches and sketch progressions, Folio. Cloth spine, grey lettered boards. Decorated end papers. The colour auto-lithograph printed on hand made paper signed in the plate by Moore. One small tipped in photograph. Some scattered foxing, upper board slightly rubbed else good with frayed and partial dust wrapper.

Jena, Jenoptik, Cologne 2001

2 Volume boxed set. 339pp + 292pp. Laminated wrappers. 4to. Very Good+. The first volume presents a selection of more than 90 paintings, painted reliefs, and sculptures that Stella produced in response to and in an attempt to better understand the dramas, novellas and theoretical witings of von Kleist. Also included are essays by Franz-Joachim Verspohl, Martin Warnke, Wolfram Hogrebe, Robert K. Wallace. The second volume is a useful collection of writings by Stella, many taken from papers and lectures. Parallel text in German and English.

London Ablemarle Gallery 1997

Unpaginated. 24 numbers. List of commissions and introduction by Nicola Upson.

New York Rizzoli 1987

239pp, colour + b/w illustrations. 4to boards with illustrated dust wrapper. Small tear to the top edge of the wrapper + minor bumps in places, else a very good copy. Introductory notes by O'Gehry and Oldenburg. brilliantly illustrated documentation of the monumental multimedia collaborative performance between Oldenburg, Van Bruggen and architect O. Gehry. The central figure of the performance, that took place in Vencie, was an eighty three foot ship in the form of the Swiss Army Knife.