London, Longman, Brown, Green, and Longmans 1850

96pp illustrated + 20pp period ads for businesses in the area. Green blind stamped cloth with gilt decoration and title on upper board. and spine. Spine a little rubbed and gilt dull else good copy. Includes a critical essay on the life and times of Robin Hood. Organised as a series of letters to provide a description of Mansfield and the neighbourhood with 4 full page lithographed illustrations of country houses and text illustrations of other places of interest. First edition of a scarce guide book.

London The Tate Gallery 1983

136pp illustrated with colour and b/w plates. Square 4to 200x200mm. Black laminated wrappers. Very good copy. Foreword by Alan Bowness.L oosley inserted is a 9 page booklet containing Explanations and thoughts toward my Exhibition, a selection of work in progress, letters from friends, bad reviews, good reviews. Also in envelope is a print of the Owl and the Pussycat signed in facsimile by the artist. This exhibition was the first retrospective of Peter Blake's work and also included in this book are extensive articles on Peter Blake, the Ruralist movement and 'Durable Expendables'.

London George Newnes Limited 1906

xvi + 247pp + (3)pp illustrated with 17 colour and many b/w plates. Some spotting on end papers and prelims. Decorated end papers. Gilt lettered green cloth. A very good copy of this the first edition of Ballie Scott's study of house design. Large pictorial bookplate of Rosa Kraft on paste down.

Paris Chez Levrault, Freres, Libraires 1801

New expanded edition. xxxi + 166pp. Illustrated frontispiece. Tree calf binding with black gilt lettered spine label. A little rubbed at corner else a good copy. Culturally important poem by this protégé of Marie-Antoinette in which the author extols the virtue of nature as the inspiration for the garden and landscape. First published in 1782. Lovely copy of a much translated poem.

‎ Lars Müller Publishers 2006

25pp An accordian-style foldout booklet accompanying OMA AMO's exhibition on the Gulf at the 2006 Venice Architecture Biennale, investigating the feverish production of urban substance on sites where nomads roamed unmolested only half a century ago. Explores the potential to plan the coastline development.

nd c1938

Unpaginated. c12pp Introduction briefly outlining the development of the firm followed by c60pp illustrations of projects + c12pp period ads for building products and specialist firms. Long 4to. Green cloth covered boards with art deco style gilt lettering on upper board. At the time of production, the firm was based in Stockwell, London with specialist woodworking department in Margate. Inter – war projects illustrated include various Odeon cinemas, mansion blocks including Nell Gwynn House, Chelsea, the Bexhill Pavilion, Margate Lido, various suburban housing schemes, offices and shops, schools and colleges. Work centred on London and the south east. The Architects noted for most of the projects that are illustrated.

London Oxford University Press for the British Academy 1979

246 + plates in colour and b/w. 4to. Original black cloth with gold lettering to spine. Very good with very good dust wrapper, slightly chipped at head of spine. Signature of H G Wayment [ who published on the glass of Fairford Church] on front end paper and inscription from him on title page concerning Peter Newton and providing anecdotal information on how it came to be volume I in the Corpus Vitrearum series. A catalogue of important medieval stained glass housed within buildings in the county of Oxford.

London: Hamilton Adams and Co. Newcastle-upon-Tyne: M & M W Lambert, 1880

[vi], 160pp, xiii[i]pp index and 'corrections and alterations.', 32 steel-engraved plates with tissue-guards, head and tailpieces, decorated capitals. 4to. Original red Morocco binding with gilt decorations and raised bands on the spine. Worn at head and base of spine else a very attractive copy.

London J B Nichols and Son. Nd. C1860

Illustrated with 7 folio plates extracted from the Sepulchral Monuments of Great Britain. Later maroon leather binding with monogram on upper board. Spine chipped and worn. Internally very good with the plates backed with linen to make a very good copy.

Corpus Vitraearum Medii Aevi: Great Britain published by OUP 213

762pp illustrated in colour. 4to. 2 volumes in slip case. Significant study of glass both in terms of detail and approach, which includes a comprehensive context for the stained glass at Merton.

London Norfolk and Norwich Archaeological Society 1911

30pp + 12 b/w plates described by the author, with illustrations of the bosses in the northern alley from drawings by C.J.W. Winter. Folio. Red cloth spine and decorated upper board with title of publication.

London, John Murray 1841

iv + 151pp + 4pp list of popular works published by Mr. Murray. c.25 b/w illustrations including 14 engraved plates and folding frontispiece (plan of Windsor Castle). 12mo. Decorative cloth with striking gilt motif on front board. Spine slightly sunned and some small marks on upper and verso boards. Small amount of foxing on a number of the plates, else a good copy.

Oxford Oxford University Press 1993

342 pp. B/w ills throughout. 4to. Cloth cover. Decorated dust wrapper in protective sleeve. The first catalogue of Britain's collection of 16th and 17th century stained glass roundels, mostly from Holland and Belgium. An important source book for researchers of drawings and engravings, and students of stained glass.

Oxford Oxford University Press 1996

lvii, 390pp (24), with 24 colour plates at the rear of the book. 316 b/w illustrations throughout text. 8vo. Dust wrapper. Very good. An extremely comprehensive illustrated catalogue of the medieval stained glass of the county, excluding Lincoln Cathedral. Interesting text on Lincolnshire's historical and cultural heritage.

Oxford: Oxford University Press for the British Academy 1987

96, 16 col. pls., 15 b and w pls., 2 microfiches with 220 b and wills. 4to. Very good with good dust wrapper. Out of Print.

Oxford, Oxford University Press, 1995

161pp + 20pp of colour plates at back. c120 b/w photographic plates in text. 4to, original decorated dustjacket, fine. A detailed catalogue of the stained and painted glass in the Great East Window of York Minster. All photography is beautifully clear and both the black and white and colour images are stunning in their clarity and quality.

London Art Worker's Quarterly August and December 1908

[1] + 1-76 + [1] + 1-88pp illustrated with examples of work in the arts and crafts style giving the names of individual makers. 4to. Green cloth, titles on upper board. Bookplates of Ian Monins. These special issues are additional to the The Art Workers' Quarterly published 1902-1906 and were published in August and December 1908. These contained the papers and extracts of papers read at the Third International Art Congress for the development of Drawing and Art Teaching and the Application to Industries held in London, August, 1908, as well as a record of the Retrospective Exhibition of Students' Works, held at the Victoria & Albert Museum, London, in connection with the Congress. Hard to find.