Published by the firm c1901

Untitled sample book of colour lithographs which could be selected for use graphic design projects, probably for chocolate boxes. The first two images show chocolate box lids. Paper wrappers. Perfect Bound, name of firm on upper wrapper. C310x250mm. Green cloth spine. This is rather worn. There are c63 sentimental chocolate box type images, probably inter war. The firm of Sutton Sharpe and Co specialized in designing, printing, and publishing. In 1901 they were situated at 145 Quen Victoria Road London. The location of the firm in the inter war period is not known.

London The Pilot Press Limited prepared by the Design and Industries Assoc. nd c1946

68pp illus with b/w photographs and line ills and 8 color plates.. Large 4to. Colour wrappers. Good copy. Staples a little rusted. Superb period item produced in the immediate post war period to promote good design.

London The Arts Council 1951

46pp illustrated. Paper covered boards. Good copy +. A catalogue for an exhibition of prints and panoramas to illustrate public rejoicing and ceremonial in many countries from over four Centuries. Exuberant cover design.

(The Studio 1935) Universe Books New York 1988

124pp illus with b/w plates. Sm 4to. Vg in dw. Facsimile of classic Le Corbusier's study of the airplane, symbol of the new age.

London David Rowell & Co ltd, 66/72 Clapham Junction, no date c 1970

44pp catalogue illustrated with line ills and illustrating the range of gates and railings supplied by the firm. Firm first established in 1855. Green wrappers, stapled. 240x180mm. Has been folded else very good.

Pilkington Bros. no date c1930.

8pp illustrated with b/w plates, mostly of children benefiting from sunlight. Stapled. Well designed promotional leaflet with cut out pages allowing images of children who benefited from sunshine through this glass. Vita glass was part of a collaborative project between Pilkington Bros. and Chance Bros. in the 1920s. Curious1920s invention that enabled the invisible ultraviolet radiation of the sun to be admitted into the building; No longer made.

London John Lane the Bodley Head & in New York, Dodd, Mead and Company 1924

(xii), 231, (1) pp. Frontispiece and 32 coloured plates plus numerous black and white illustrations in the text. Black titles. Cream buckram. 4to Very good copy. Major projects recorded here including, St Aidan's Church, Leeds, The Royal Exchange, Decorations for Selfirdge's, Stained glass cartoons, The Panama-Pacific Exhibition amongst others. Published just before his work for the Empire Exhibition, London was shown. Lovely book.

London Westerham Press 194

125 + [2]pp illustrated with plates and one folded facsimile. Quarto. Gilt lettered cloth. Very good in slipcase. First edition. Copy number 120 from an edition of 500 numbered copies, of which the first 110 were reserved for members of the club. Signed by the author on verso of title page. Michael Harvey was a member of the Double Crown Club.

New York The Grolier Club 2000

95pp, Decorated title page. Blue cloth with gilt lettering to spine and motif on upper board. Catalogue of an exhibition at the Grolier Club, with an autobiography by Zapf and descriptions of the illustrations and translations of his books. One of 1,050 copies printed. Very good copy.

London: Harvey Miller Publishers. Oxford University Press., 1986.

Vol I: 70pp with 419 illustrations Text and Illustrations. Vol II 231pp Catalogue. Large 4to. Dust wrappers. These very good condition but spines uniformly faded to green. 158 manuscripts are included in the catalogue, to provide a well-balanced survey of the output of the period. The works represented are wide-ranging, embracing famous masterpieces such as the Queen Mary Psalter, the Alphonso, De Lisle, Peterborough, Gorleston and Luttrell Psalters, as well as a diversity of Chronicles, Apocalypses, Hours, Missals, and an early Encyclopedia.

London. Smith, Elder & Co. 1911

Green cloth covered boards, gilt titles to spine. text block untrimmed to leading and lower edges. Some minor shelf wear else very good. Text comprises seven lectures delivered by Benson at Magdalene College, Oxford in 1910.

London Geo Allen and Unwin 1929

192pp illustrated with b/w photo lithographic plates. Blue cloth. Signed dedication copy from the author to Mrs. Corrie. First edition. Very good. John Howard Whitehouse, [1873-1955] a Guild companion, Ruskin Society and University Settlements Secretary, and a Parliamentarian, was a Ruskin devotee and a key figure in developing the legacy of Ruskin. He played a part in many of the institutions where Ruskin's ideas flourished.

London, B.T Batsford 1902

viii + 10pp and 50 b/w litho plates. Folio in original cloth with gilt lettering, top edge gilt. Very good indeed with light wear to spine. Some foxing to endpapers, Stamp of Ellery, Anderson and Rosier on fep. Collection of measured drawings and cross-sections taken from major buildings of post-Reformation England, including: Hardwick Hall, , Broughton Hall, Haddon Hall, Knole House, Hatfield House, Bolsover Castle, Clopton House, Thorpe Hall, Farnham Castle, Hampton Court, Chelsea Hospital, various churches and Oxford and Cambridge Colleges. An impressive attempt to trace the development of specifically English Renaissance design, and to introduce its 'picturesqueness and originality' to a contemporary audience.

Gold Coast, Accra 1025

29pp description on the exhibition and the arrangements for African participants in terms of accommodation, facilities, trips etc. Fascinating period report describing the development of the project for a village and pavilion representing the Gold Coast and West African colonies. The London Gold Coast Committee was presided over by Lady Guggisberg then John Maxwell. The exhibit was designed and constructed by MacAlpine and the whole report written from a British perspective. The report includes very useful insights into how ethnic groups were involved in the exhibition. Lists those who loaned material, a list divided racially between British and African lenders. Flimsy wrapper which are partially detached and chipped.

Paris Folie bergère 1937

20pp illustrated with b/w plates, period ads and colour centre fold, Le Ballet Bourbon. Maroon paper wrappers with gilt titles 240x310mm. Upper wrapper has stamp pasted down from the Exposition Internationale Paris 1937. Worn at edges and the outer fold of wrapper is rubbed. Hard to find.

Paris Folie bergère

34pp, 240x310mm, red wrappers, star cut into upper wrapper to reveal Josephine Baker at Folies Bergere from Paris, France. Loosely inserted colour fold out image of La Jungle Merveilleuse with Joan Baker. Colours are bright with gold embossed letters, these a little tarnished. Includes lots of period ads. There are 50 photographs in the main body of the book in sepia showing scenes from the production by Paul Derval. Also includes period ads. Hard to find.