[ii] + 40pp + [xiv]. With supplement fixed into the centre fold, this 48pp, with hand decorated covers. Stapled. Copious illustrations, photographs, lino cuts, hand printed pages. Printed paper wraps slightly wider than the rest of the book block. These a little bumped. Very good otherwise. Takes the form of a traditional school magazine, with reports from sports teams, scholarship winners etc, but added to this is a sophisticated level of design and creativity. The London Collegiate School Magazine was started in the late 1800's. Over the period 1947 - 1971 the school's art department was run by painter and designer Peggy Angus (1904 - 1993) and this beautifully clever and creative publication…
[ii] + 40pp + [xiv]. With supplement fixed into the centre fold, this 48pp, with hand decorated covers. Stapled. Copious illustrations, photographs, lino cuts, hand printed pages. Printed paper wraps slightly wider than the rest of the book block. These a little bumped. Very good otherwise. Takes the form of a traditional school magazine, with reports from sports teams, scholarship winners etc, but added to this is a sophisticated level of design and creativity. The London Collegiate School Magazine was started in the late 1800's. Over the period 1947 - 1971 the school's art department was run by painter and designer Peggy Angus (1904 - 1993) and this beautifully clever and creative publication must have been influenced by her presence there during this time. Whilst it does not directly acknowledge Angus, there are hints of her influence - particularly the use of lino-cutting a favourite method in her teaching repertoire. There is also an article entitled "Festival in Bali" written by Angus in the Festival Supplement. One of the Magazine Committee members, Miss Threlfall also appears in a later publication [Peggy Angus Influence and Inspiration by Diana Hall et. al. Incline Press, 2005) illustrating a connection between fellow artist and designers throughout her lifetime. A fascinating, and scarce publication.
"Anthony Baker started his publishing career with [a] small collection of epitaphs, distributed free to friends and acquaintances as a Christmas greeting. He had gathered the contents from churches and graveyards across his home county of Somerset, [as the] first of a series of six...southern county collections, from Devon to Kent. In practice only two more followed; Six Dorset Epitaphs and Six Hampshire Epitaphs. The presswork of the two later collections was far from the high standard which Anthony wished ...so he decided they were best disowned... He rather counts the whole 'Epitaphs' series as a false start." [ASKHAM, Mark. The Gruffyground Press. A Bibliography. Chestnut Editions, 2024 pp.13]
8pp. B/w woodcuts by Richard Shirley Smith. 160 mm × 237 mm. 110 copies produced. Printed in black in Bell roman and italic on pale blue Portals mould-made laid paper. Bound in an unprinted French-folded dark blue Japanese Mingei handmade laid paper cover. Very good. Paper wraps a little sun bleached. Very scarce to find a copy of this which is bound, after publisher Anthony Baker shunned the publication for its poor printing quality. Most of the copies of this publication remain uncollated, unfolded sheets, without covers.