London Tate Gallery 1976

98pp, illustrated throughout in black and white. 4to. Red clotth. Very good with dust wrapper.

Liverpool, The Wood Lea Press 1987

148 + [3]pp, with 164 b/w illustrations and four colour paste-downs. Cloth backed boards with lovely woodcut design in slipcase, Very good. A beautifully presented catalogue of Nash's 140 woodcuts, all of which were made between 1919 and 1935. With an introduction by John O'Connor and a loosely inserted presentation copy of a review from Hortus, bound in the same decorative paper. One of 750 copies, this is a lovely pieces of book design, and a valuable collection of some of Nash's less well-known work. Typed letter from Jeremy Greenwood, signed, concerning delay in publication loosely slipped in.

Inky Parrot Press 1996

Wood engraved plates & illustrations. Includes artists proof of the image Noah, loosely inserted. Boards. With folio of prints limited to 24 copies in separate folio, both housed in a pictorial slip case. The publication was produced in an edition of 76 copies of which 24 have an additional set of signed wood engravings of which this is one. Decorated paper covered slipcase. The book and portfolio is in very good condition. Slip case a little worn at edges and corners. The portfolio contains images names as; THE GARDENER; MERMAID OF ZENNORE; ALLEGORY; and THE DREAM four wood engravings, each signed, titled and numbered IX/XXIV in pencil Largest image size 175mm x 145mm.

Wakefield The Fleece Press 2010

200pp + colophon; 132 plates, the majority full-page in colour; Square 4to. 230 x280mm Cloth backed boards with paste down label on the spine. in the style of Simon Lawrence's previous studies of Ardizzone & Ravilious. Best known for his wartime work, Cole's watercolour technique was much influenced by Ravilious, his tutor (with Bawden) at the RCA. Fine.

Wakefield The Fleece Press 2014

Fleece Press published these together in a very long accordion-fold book measuring 275mm square and extending to a gigantic 8 metres long. They are hard-bound in a design using the water colours, and held in a slipcase with a label. The artist has drawn a title page specially for the book, and has signed each of the 250 copies on the colophon. The images are of the transferware pottery – plates, mugs and jugs – found on her dresser. Loosely inserted in this copy is the original prospectus for the book with colour paste down illustrations.

New York Limited Editions Club 1966

Number 1169 signed by George Him on the colophon. xxxiv, 215, (3) pages. Decorated cloth, gilt and black lettered spine. In original slip case. Very good but slip case a little worn. Illustrations by George Him, who by this time had split from his partnership with the artist Jan Hewitt which ended in 1955 when Hewitt left to pursue a painting career.

London The Mayor Gallery 1984

Catalogue to accompany an exhibition to celebrate the half centenary of the first UNIT ONE exhibition held at the Mayor Gallery in Cork Street April 1934. 4to. Typographical cover based on a design by E McKnight Kauffer advertising Unit One in 1933. 98pp illus with b/w plates. Featuring the work of the original participants including Wells Coates, Colin Lucas, Edward Wadsworth, Ben Nicholson, Nash, Burra, Moore and Hepworth etc. Uncommon.

London, Cassell 1934

124pp, 67 plates b/w photographs. 4to. Yellow cloth with brown lettering in dw which is preserved in good order in a glassine wrapper. Signature of former owner on front end paper. Iconic book which covers work by: Sculptors: Henry Moore, Barbara Hepworth; Painters: John Armstrong, John Bigge, Edward Burra, Tristram Hillier, Paul Nash, Ben Nicholson, Edward Wadsworth; Architects: Wells Coates, Colin Lucas. Unit One was a British grouping of Modernist artists founded by Paul Nash. Despite its brief period of activity, the group is regarded as influential in establishing the pre-eminence of London as a centre of modernist and abstract art and architecture in the mid-1930s.

nd 1985

510mm x630mm Colour litho on paper. Number 50 of 195

Risbury The Whittington Press 2018

[10] + 86+, [2]pp of plates, XII pages of numbered plates. Total edition of 235 copies set in 13-point Poliphilus, and Ariston display types, and printed at Whittington on Zerkall mould-made paper. The pochoir reproductions and the black-and-white images printed digitally by Promprint. Many illustrations in colours. This one of 155 'C' copies half-bound in cloth and one of Vance's pattern papers, in a slipcase and two facsimile letters in a pocket at the rear. Fine copy.

Basel Editions du Griffon Neuchatel 1965

Plastic arts of the 20th Century: 194pp illustrated with full page optical images. Complete with five plastic illustrated transparencies/overlays that are not bound in. Chronology of work at the end of the book. 4to. Lettered grey cloth boards. Very good. Head of dust wrapper very slightly bumped on upper side and dust wrapper slightly browned else good.

Madrid, Poligrafa 1983

284pp illustrated with colour and b/w plates. . 4to. Very good with very good dust wrapper.

London A Canale Production 1957

16pp text + 12 pages of b/w plates. One of 400 copies, unnumbered. 4to. Yellow lettered boards. Very good copy. Some striking Vorticist images are included in this lovely publication.

Edinburgh White Cockade Publishing 1998

168 pp, colour and black and white photographs[JR1] . 8vo, boards, d/w good. An account of one of the pioneer studio potteries, revived by Michael Cardew in 1926 and continued by Ray Finch.

Bristol, John Harvey and Sons Limited 1963

100 pp 8vo, Cloth. Gilt lettering. Spine slightly sunned. Designed by the typographic designer John Lewis with wood illustrations by David Gentleman, decoration by Asgeir Scott, illustrations by Edward Ardizzone and maps by Sheila Waters. The book is a compilation of the illustrations and maps sent to their clients by the wine dealers Harveys. This charming small book contains a pamphlet advertising the letters from Ardizzone to Lewis concerning his commission for the Harveys Wine List which were published in 2016 by the Reading Room Press.

London & New York Anthony D'Offray and Robert Miller 1990

6-page introductory essay by Rosenblum + 130 full page colour reproductions of works in the Worlds and Windows series. Original publishers' blue cloth, lettered gilt on spine and on front cover. 310mm x 231mm. Not issued with a dust wrapper. Copiously illustrated in colour and black and white throughout. Inscribed in red ink "With love from Gilbert and George" on free end paper. From the collection of Johnathan and Maggie Silver.