400pp illustrated with colour and b/w plates and line ills. 4to. Fine in dust wrapper. Comprehensive on Eisenman's buildings and projects from House I (New Jersey) to the large sclae later works including the Memorial to Murdered Jews in Berlin 2015. The book includes contributed essays and critques by contemporary architects and writers.
Frontis of Premises, 168pp illustrated catalogue products of the firm comprising locks, keys and door furniture and including an introductory note and glossary of terms used in locksmithing. Cloth backed boards. Spine lettering rubbed. Upper board repeats title but is a bit worn. Preceding the main body of the catalogue is a 10pp comparative list of old and new numbers, alterations, and additions +discount sheet sent to Mr W T Whincup, 31 Claremont Terrace, York.
8 items: comprising export price lists with texts in English French and Spanish, April 1952, Price list for April 1952 revised price list April 1952, [ Campbell Horsfall written in pencil on upper wrapper], Retail price list April 1952. Whole Sale Price list September 1952, Export price list March 1953 and Gift Cases list from Ist June 1953 and leaflet "Prestige and Profit for You" a gatefold leaflet illustrate in colour, + typed letter concerning the end of rationing of beauty soaps. Mostly 4pp each. Decorated upper wrapper design. All from Yardley House, 33 Old Bond Street London
no pagination, colour and b/w illustrations throughout. Square 4to. Boards. All three were originally published in the 'Architecture in Detail' Series: McCarter, 'Robert, Frank Lloyd Wright: Fallingwater' (1994). Weston, Richard, 'Alvar Aalto: Villa Mairea' (1992). Steele, James, 'Charles and Ray Eames: Eames House' (1994). Each house presented in this volume with photographs and detailed floorplans represents a high point in the œvre of their designers. Both Fallingwater and Villa Mairea were finished before the Second World War and display a luxurious approach to Modernism in contrast to Eames House (1994).
ALS to Gavin Stamp dated 29 May 2004 and 22 June 2004 1. Written on the back of a postcard featuring Leeds, St Johns the Evangelist with PS note mentioning it was to be totally refurbished from 17th July. Text concerns recollections, the architect J H Parker in the initial lines but moves on to Normandy churches recalled from when Scarfe was there in the war. Recounts the murder of 20 Canadian POWS at the HW of Kurt Meyer in WWII and his subsequent death in prison after the Nuremberg Trials. 2. Second Card, written from 3 Burkitt Road, Woodbridge when he sent Gavin Stamp the two photographs which are of Calvados. These were sent to thank him…
ALS to Gavin Stamp dated 29 May 2004 and 22 June 2004 1. Written on the back of a postcard featuring Leeds, St Johns the Evangelist with PS note mentioning it was to be totally refurbished from 17th July. Text concerns recollections, the architect J H Parker in the initial lines but moves on to Normandy churches recalled from when Scarfe was there in the war. Recounts the murder of 20 Canadian POWS at the HW of Kurt Meyer in WWII and his subsequent death in prison after the Nuremberg Trials. 2. Second Card, written from 3 Burkitt Road, Woodbridge when he sent Gavin Stamp the two photographs which are of Calvados. These were sent to thank him for sending a copy of the JSAH article on High Victorian Gothic.
vi + 48pp + 7 mounted sample sheets of work by Morison and Lewis. 12 b/w illustrations and 2 colour plates. Boards, covered with decorative paper design by Reynolds Stone. Fine, in sl chipped slipcase. Printed for his friends by the University Printer, Christmas 1968.
An envelope containing four editions of the Type-Specimen Pamphlet "Twenty-One Classic Type Faces" published by The Monotype Corporation Limited London to aid the comparison of type behaviour. No date c 1959. Edition A [Letterpress on Antiques Papers], Edition B [Letterpress on Coated Paper] C [Augmented reprint by Photo-Offset] and Edition D [Ditto, by Rotary Photogravure]. Each version of the pamphlet has 8pp printed in red and black. Brown envelope with card title page, this slightly dusty. This initially was attached to the flap of the envelope but the glue has perished. Lovely item. Great for showing the impact in terms of type behaviour dependent on the selection of the paper type and print…
An envelope containing four editions of the Type-Specimen Pamphlet "Twenty-One Classic Type Faces" published by The Monotype Corporation Limited London to aid the comparison of type behaviour. No date c 1959. Edition A [Letterpress on Antiques Papers], Edition B [Letterpress on Coated Paper] C [Augmented reprint by Photo-Offset] and Edition D [Ditto, by Rotary Photogravure]. Each version of the pamphlet has 8pp printed in red and black. Brown envelope with card title page, this slightly dusty. This initially was attached to the flap of the envelope but the glue has perished. Lovely item. Great for showing the impact in terms of type behaviour dependent on the selection of the paper type and print method.
Unpaginated 6pp prelims, 30 sepia postcards in a small rexine covered binding designed to allow cards to be removed by tearing perforations. The cards show the ship's activities which passengers could participate in along with images of places visited on route between Southampton and the Cape, South Africa. Memorandum pages between the images are used for printed explanations of deck games in some cases. Shaky at binding else good copy of a scarce souvenir publication. Paste downs have adverts for hotels on them. Possibly lacks rear end paper. Dedication of free end paper "To Ma & Pa this book is the best I have seen illustrating the voyage to the Cape"…
Unpaginated 6pp prelims, 30 sepia postcards in a small rexine covered binding designed to allow cards to be removed by tearing perforations. The cards show the ship's activities which passengers could participate in along with images of places visited on route between Southampton and the Cape, South Africa. Memorandum pages between the images are used for printed explanations of deck games in some cases. Shaky at binding else good copy of a scarce souvenir publication. Paste downs have adverts for hotels on them. Possibly lacks rear end paper. Dedication of free end paper "To Ma & Pa this book is the best I have seen illustrating the voyage to the Cape" dated 9 September 1910 and initialled A G. Another postcard album appears to have been published in parallel but this stands alone. The Union Castle Line was formed from the merger of the Union Line and Castle Shipping Lines in 1903 and operated until 1977. It also incorporated the Royal Mail Service.
Two advertising items promoting Cigars which are chromolithographic images . Sizes are 260x155mm and 120x120mm. Set against the background of the Worlds Fair Buildings these two items illustrate a romanticised scene depicting the discovery of the New World by Columbus. George Schlegel Lithographing Co. (1849-1957)[1] was a New York printing company best known for its label designs for cigars and cigar boxes, and was owned and operated during its lifetime by four generations of the family. Very good
Undated and hand decorated with dried flowers and ferns and with hand written captions in italics and painted borders. Dark green leather with ruled edges. 230x280mm. Split on spine and edges scuffed but lovely item. 40 pages of sepia photographs of various sizes ranging from 60x110mm to 150x240mm. Photographers stamps in some of the images internally. Isle of Man photographer's impression of the firm Patterson and James on some of the early images. Large image of Douglas Harbour and Laxey Wheel in this section. Later sections include a combination of tourist purchased photographs and vernacular ones by the maker.
Concertina photograph album c1953 -1957 26 photographs, 25 tipped in. 125 x169mm portrait. Orange cloth. Missing original fastener. Records a photo shoot with designer and model in a garden. Photographs by K[arl] L[udwig] Haenchen, [ b 1909 d 2003 ]. Signed by the designer Hans Gehringer. In the period from 1930 until the second world war he was considered one of the most important German Fashion Photographers. After the war he increasingly focused on photographing celebrities and diversified his career into film and composition of music. This album represents the transition in his work. The photographs record the fashion designer in his garden with his wife and another woman posing in various elegant dresses for which he became…
Concertina photograph album c1953 -1957 26 photographs, 25 tipped in. 125 x169mm portrait. Orange cloth. Missing original fastener. Records a photo shoot with designer and model in a garden. Photographs by K[arl] L[udwig] Haenchen, [ b 1909 d 2003 ]. Signed by the designer Hans Gehringer. In the period from 1930 until the second world war he was considered one of the most important German Fashion Photographers. After the war he increasingly focused on photographing celebrities and diversified his career into film and composition of music. This album represents the transition in his work. The photographs record the fashion designer in his garden with his wife and another woman posing in various elegant dresses for which he became renowned as part of the post war German fashion scene. The loose image with the stamp of K L Haenchen dated 1-9-53 – dedication signed by Hans Gehringer 5-9-1957.
Twenty-six black and white photographs pasted into a period album + three additional photographs of the same subjects loosely inserted. Landscape shaped album with cloth covered boards. Embossed circle on upper boards. Boards worn and dusty and rear inner hinge detached. Mostly images are of St Cutbert and St Aidan Church, Portsmouth. 16 black and white photographs of the Church. Three show the interior before damage occurred and 13 afterwards. A further four photographs show the local community; one of which is a post war street party. There are additionally five small photographs of the church hall which operated as a church during the war. One shows a bombed-out house. Photograph sizes vary…
Twenty-six black and white photographs pasted into a period album + three additional photographs of the same subjects loosely inserted. Landscape shaped album with cloth covered boards. Embossed circle on upper boards. Boards worn and dusty and rear inner hinge detached. Mostly images are of St Cutbert and St Aidan Church, Portsmouth. 16 black and white photographs of the Church. Three show the interior before damage occurred and 13 afterwards. A further four photographs show the local community; one of which is a post war street party. There are additionally five small photographs of the church hall which operated as a church during the war. One shows a bombed-out house. Photograph sizes vary from 260x210mm to small scale images 55 x 85mm [ of the hall] Several photographs have the embossed stamp of "Portsmouth and Sunderland Newspapers Ltd.". Two images show memorials of flowers set up in the damaged church and further one is a miniature cenotaph. These are particularly interesting for their documentary value of commemorating the impact of war damage. Fascinating album. Photographs all very good but some poorly pasted into the album. No captions. Album itself, worn but a great record of one building and its associated community. This church was damaged twice. The first damage to the church buildings occurred on November 10th 1940, when a high explosive bomb fell, tore a hole in the North side of the nave. On April 17th 1941, a landmine in Hayling Avenue destroyed the East end of the church, severely damaging the rest of the building and completely flattening the Parish Hall (the original Mission Church). The church was initially partially restored and then further work was undertaken in 1957. In the early 2000s the church was partially converted to house several community facilities including a doctor's surgery. All these changes are documented at https://www.stcuthbertandstaidan.org.uk/about/a-brief-history-of-st-cuthberts-church/ [ accessed 22 March 2023]
2pp introduction including long quote from George Sitwell's On Making Gardens + unpaginated section illustrating 74 projects from garden layouts to individual greenhouses. Each project located. 4to. Stapled wrappers with sepia full page landscape illustration on upper wrapper with Humphry Repton quotation.
96pp. green cloth covered boards with gilt embossing on upper boards and blind stamped cloth on verso. Measures c. W285mm x H370mm. "Charles Gordon Cater. June 1886" written in ink on front paste down, above a small label for "W. Lockwood & Co. Stationers &c.,..." Laid down cuttings from magazines alongside postcards, greetings cards, calling cards, die-cut paper scraps, illustrations, reproductions of paintings etc. and the occasional comment or reference written in neat hand in blue or red ink. A single page, likely from another album is loosely inserted into the album. Some comical placing and collaging of elements on some of the pages. The inclusion of a full page image of General Gordon (1833 - 1885) on…
96pp. green cloth covered boards with gilt embossing on upper boards and blind stamped cloth on verso. Measures c. W285mm x H370mm. "Charles Gordon Cater. June 1886" written in ink on front paste down, above a small label for "W. Lockwood & Co. Stationers &c.,..." Laid down cuttings from magazines alongside postcards, greetings cards, calling cards, die-cut paper scraps, illustrations, reproductions of paintings etc. and the occasional comment or reference written in neat hand in blue or red ink. A single page, likely from another album is loosely inserted into the album. Some comical placing and collaging of elements on some of the pages. The inclusion of a full page image of General Gordon (1833 - 1885) on the first and last page suggests a possible interest with the General, if only in the shared names, Charles Gordon. A very carefully put together album with some interesting socio-historical and artistic references placed alongside various more personal mementos. Shows some signs of its age with pages crockled - in part due to the paste used in the album's creation. A very few of the stuck down elements have torn slightly or are missing and the boards are a little marked and bumped at the corners and top of spine. Nonetheless this is a very good, bright and hugely engaging item.
Plastic arts of the 20th Century: 194pp illustrated with full page optical images. Complete with five plastic illustrated transparencies/overlays that are not bound in. Chronology of work at the end of the book. 4to. Lettered grey cloth boards. Very good. Head of dust wrapper very slightly bumped on upper side and dust wrapper slightly browned else good.
Second Edition. Weale's Scientific & Technical Series No. 271. viii + 226pp (+ 16pp +48pp lists of available publications from Weales & Crosby Lockwood). 170 b/w illustrations. Buff coloured cloth boards with black embossed titling. Previous owner's name and date of ownership on front endpapers in ink. Some browning on half title page else a very good copy of this text.
134pp illustrated with b/w plates and line ills. long 8vo. Decorated wrappers. Defines the issues surrounding new build houses for tropical areas covering house design, layout of village, services and landscape conservation and tree planting. Hard to find. Written with colonial overtones and with the end papers showing the Colonies as they then were, the book itself, written whilst Fry had a posting in West Africa, was a key publication in considering the role of architects and planners in Africa. It adopts a blanket approach to housing in tropical environments but was the start of the duos interest in the subject and by 1956 they had revised their view to be more locally relevant…
134pp illustrated with b/w plates and line ills. long 8vo. Decorated wrappers. Defines the issues surrounding new build houses for tropical areas covering house design, layout of village, services and landscape conservation and tree planting. Hard to find. Written with colonial overtones and with the end papers showing the Colonies as they then were, the book itself, written whilst Fry had a posting in West Africa, was a key publication in considering the role of architects and planners in Africa. It adopts a blanket approach to housing in tropical environments but was the start of the duos interest in the subject and by 1956 they had revised their view to be more locally relevant across the tropical world and they promoted distinctiveness by culture and country. Their shift in views was reflected in a second book on housing in the tropics and humid zones.
Pages uncut. Designed by Francis Meynell. Illustrated by René Ben Sussan with the plates hand-coloured through stencils by Maurice Beaufume in France. Of a total of 1500 copies,signed by the artist on the colophon page, this copy is not numbered. Largely unopened. Very good protected by plain rust coloured dust wrapper.
To accompany an exhibition at the Hayward Gallery. Long 4to. 263pp Illustrated throughout in black and white and colour. Very good with dust wrapper. Signed by Richard Long on half title. An Interview with Richard Long by Richard Cork. From the collection of Jonathan Silver.
312pp illustrated with b/w plates. Boards, red spine. Very good copy. Photographs from a trip Warhol made in 1982 to Beijing, via Hong Kong. He recorded his impressions in brief journal entries while at the same time taking photographs. He first visited Hong Kong and recorded the colonial and commercial city and then went on to Communist China at a moment when it was on the verge of an enormous transition and these images capture the city just before massive redevelopment and commercialism.